Yes, this is how I have to fill up my time between wondering why my computer desk smells disturbingly like candy and blaming the Canadian Tourism industry for swine flu (if people can't go to Mexico for vacations, they'll have to come to Canada! MUAHAHAHAHAHAAAA!!!! EH!)
The Sandman Volume One: Preludes and NocturnesIt is so weird to revisit these "graphic novels" which were actually in comic book form when I first encountered them. You see, in the intervening years, every single groundbreaking comic has been turned into a lame cliche. Everything from the storytelling conventions to the style of the artwork has been used and re-used to the point where if I have to look at one more illustration of gooey, still living, mushed up flesh (I am looking at you, Clive Barker) I will scream. Seriously. I am over seeing entire pages of peachy, bilious red with some squiggles and an eyeball (there's always an eyeball, like the entire body went into the blender but that eyeball somehow survived.) Done. Someone needs to start drawing something else.
The other problem in graphic art is that stuff that sounds really scary when you type it out, looks somewhat less impressive when rendered as an image. Take, for an unrelated example, Sauron's appearance in the film version of Return of the King. Sauron went to how much effort to come back from wherever it was he went off to the last time he was killed and this how it all turns out. He's an angry, flaming eyeball stuck on top of building who shoots laserbeams or something. That's just sad. It's no wonder he's pissed off. Or, as another example, there's a ruler of Hell in this comic who looks like a cranky, red artichoke with eyes. No, really. Everytime I see this character, I expect an cameo from the Aqua Teen Hunger Force when I turn the page. I'm sure the concept was extremely scary when the wrote it down, but it doesn't translate well in the medium.
Okay, moving right along, Sandman is one of THE comics of the 1990's. Those were the days when comics had suddenly become cool... well, cool among geeks because I sure as hell never ran into any yuppies at the comic store while picking up the latest issue of Fangoria... and one of the big cool things was the idea that the comic genre could be twisted around. One of the things I like about Watchmen is the lack of Superman and Batman. Seeing random characters from other stories screams "This is a comic, isn't this cool????" It pulls you out of the story. The cameo appearances from random people are the main problem with the first issues of Sandman. They suck.
The second problem lies in the choppiness of the story. Sometimes, events move really fast. Then everything grinds to a halt and the story feels like a bunch of filler or a sad excuse for another cameo appearance. I didn't need to see John Constantine in this comic. It doesn't work. It's lame.
I. The Sleep of the Just- Illustrated by Sam Kieth and Mike DringenbergI actually like the art in this one. There are colors and Dream doesn't look like he has just formed a Cure coverband. So, this guy has some magical ceremony and captures Dream who is trapped, buck nekkid, in a glass thing where he proceeds to say nothing and be generally scary. Eventually, all his stuff is sold off and years go by. People have weird dreams. The background is well done and everything other than Dream's helmet (it looks like he decided to dress up as Gonzo from the Muppets, and they knew about Gonzo so there's no excuse for that) is cool. Oh yes, there's an eyeball or two because we all know that when your head explodes, your eyeballs remain intact. I see one lame superhero reference, flaming Oberon, you guys, can we never get over the damn superheroes?
II. Imperfect Hosts-Illustrated by Sam Kieth and Mike DringenbergI'm not really sure how I feel about all the Cain and Abel stuff. On the one hand, I like the characters. On the other hand, I'd like to get back to the story plsthanks. I do like some of the detail in the drawings. We meet Dr. Destiny for the first time. He looks bad, but nowhere near as bad as he will look later on. In dreamland, Dream calls up the fates who provide some information about his missing stuff. Here's the gratuitous John Constantine mention. Allow me to write how that should have worked out "John Constantine has your crap. It's in a safe deposit box because, being all into Hell and shit, he knew how badass your stuff is. He said he tried to call you but you never picked up. Here's his number. The end."
III. Dream a Little Dream of Me- Illustrated by Sam Kieth and Mike DringenbergJohn Constantine is a dumbass. There's one panel where he looks like he's wearing Hammertime pants. The proprtions need some work. Dream has started looking exactly like Niel Gaiman would look if he was in a Cure tribute band. Gratuitous sex. Check. Icky pinkish wall o' gore. Check. What, no eyeball? Look, John Constantine and his hideous yellow hair killed it all for me. Moving right along...
IV. A Hope in Hell- Illustrate by Sam Kieth and Mike DringenbergSome of the detail in the Hell backgrounds is awesome. The closeup of Lucifer is great, too bad his coworkers are an angry red artichoke with eyes and a pair of legs with a fly's head that looks like a pair of hairy scrotum. Yeah, some of Dream's stuff is here in Hell because if I were a demon from Hell with cool stuff, I would totally go to Hell and sit around doing nothing with it. Yep. That's what I'd do. The demon challenges Dream to that contest of changing into stuff. I remember that one from that Disney movie King Arthur. Mad Madam Mim was hardcore, folks. Also, Dr. Destiny's mom sent him an eyeball. I'm telling you, those things are indestructible.
V. Passenger- Illustrated by Sam Kieth and Malcolm Jones IIIYou guys, if the Phantom of the Opera was running around naked, he would totally look like Dr. Destiny. At least, book!Phantom would look like him. If Gerry Butler woke up looking like that he'd... I was going to say "Kill himself" but who am I kidding, he'd just go to the plastic surgeon and have it fixed. The Scarecrow is the first cameo that hasn't sucked. They actually worked him into the story well. Who the crap is "Scott Free" and what does he have to do with anything? Again, this is lame. The backgrounds are not as rich in this issue, can we go back to Hell with Scotum Face and the Artichoke of Wrath? Dr. destiny is seriously mental, y'all. I think the sequences where he's being pleasant are even ickier than... well, let's move ahead to the ick and pretend like the green Martian cameo (WTF????) never happened.
VI. 24 Hours- Illustrated by Mike Dringenberg and Malcolm Jones IIIOkay, so Dr. Destiny or Dee or whoever has the ruby of magicness and he's doing terrible things at a diner. God, I want some roast chicken right now. That would great.... mmm... roasty... This is the issue where everyone said "ZOMG! It's horror! It's genius!!!" This much, I can say, unlike some people (I'm looking at you, Clive Barker, yet again) Gaiman writes horror that I can actually follow. I've had problems in the past (wait, was that a gate to Hell or they called up the thing with that other thing, hold on, I have to reread the last chapter.) This is scary stuff. It's also totally not what people usually want from Sandman. No fantasy. No perky Death, Just as random, naked evil guy with creepy eyeballs (I'm telling you, this eyeball thing is a fixation in comics.) One other thing worth noting, this is the first time I've noticed the 90's hair. You can't miss it. It's like 80's hair but bigger.
VII. Sound and Fury- Illustrated by Mike Dringenberg and Malcolm Jones IIIDream now has a full on case of the goths. It's a tragic disorder characterized by an unnatural compulsion to dye one's hair black, overuse styling products and shop at Hot Topic. I'll be hosting a telethon. Donate now! Scary naked guy ends up back at Arkham and the world is saved except for all those people who died before anyone got around to saving anyone.
VIII. The Sound of Her Wings- Illustrated by Mike dringenberg and Malcolm Jones IIIThis is the Sandman that we all remember. Perky death the quintessential nineties goth. A dark tone with an element of wistful fantasy. A lack of panels full of dripping eyeballs. This is totally different from the rest of the book. Different color palette. Different tone. More open space between illustrations. Some panels are less detailed but the overall look is much cleaner. This is the epilogue to the story, and a "feel good" to whatever extent death feels good story to wrap things up. You need it after the Dr. Destiny, the relentlessly ookie naked guy. Nevertheless, it still doesn't seem to match. I feel like this is the first book of another volume, rather than the end of this one. Also, some of Gaiman's dialogue is very stilted. For every great line (like when Death extolls the virtues of Mary Poppins) there's a clunker (" You are utterly the stupidest, most self-centered, appallingest excuse for an anthropomorphic personification..." yeah, I know, big words are funny ha-ha but it's stilted, doesn't match the rest of Death's dialogue and perky goth girls don't talk like this... even I didn't and I was more into my vocabulary than most)
Borders had this book out as an option for people who like Watchmen, because as we all know, all graphic novels are pretty much the same. To me, it's a very different genre in it's way. Watchmen is a brilliant use of the comic book hero type. In Sandman, comic conventions fall flat.The story is much more successful when it is entirely in it's own world. Worth reading? I finished it in an hour, so I can say that it's definitely interesting and engrossing. It was a fun trip back to the nineties.